The spick-and-span black is a term that was phrased during the late teens of the 1900?s as tumefy as much of the 1920?s. The expression normally referred to African Americans, specifically during the Harlem Renaissance, who sought to portray themselves as single of a new image, one that contrasts the ?Old negro? stereotypes and assumptions. The intent of the modern Negro, frequently considered to be those of the middle class, was to construct a new representation of the Black American people. This concept worked up up massive reactions from its enthusiasts, each with a different aspect on the New Negro conception, as well as typical demonstrations on how to achieve such ?Blackness.? Two well cognize contributors to the existence of the New Negro were authors and scholars Alain Locke and W.E.B. DuBois. While Locke and DuBois overlap homogeneous visions to the essentiality of the New Negro, they held dissimilar positions as to what symbolized the New Negro, as well as what qualifications were indispensable for attainment. By the sequence he finished schooling, Locke had been elected to Phi Beta Kappa, been named a Rhodes savant at Pennsylvania, studied at Oxford University and achieved a PhD in philosophy from Harvard University (Locke and the New Negro). Locke considered Blacks and Whites of America to be equal participants of the American culture.
He did not contemplate a divergence mingled with being American and being Negro, instead he developed equality amongst the two through cultural mutuality. ?Whoever wishes to see the Negro in his essential traits,? Locke states, ?mu st seek the enlightenment of that self-portr! aiture which the present developments of Negro culture are offering.? Locke believed that mere forms of expression held by African Americans, symbolizes ?Blackness? in its purest form. So it seems then that Locke was in qualifying with Du Bois double consciousness belief. If you want to get a replete(p) essay, raise it on our website: BestEssayCheap.com
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