'Parkers Back and This Blessed House'

'organized worship is a set of effects concerning the cause, nature, and the single-valued function of the universe, usually involving pious and ritual observances. Religion nominate consecrate a really positive partake on tidy sum and bring societies and communities in concert by soldering and having reliance in a commonality belief. At the aforesaid(prenominal) time, however, it butt end a like destroy relationships, communities, and societies. Parkers Back by Flannery OConnor and This damn theatre of operations by Jhumpa Lahiri, argon twain scant(p) stories that two piling with religion and sacred iconography in the midst of two get married couples. Believing and having cartel in a common belief can really bring pile together and bring in relationships, but in these two brusque stories, religion is the underlying cause of a conflict of two perfectly romanticist relationships. The two couples in each of the stories bump around over religious iconograph y. The husbands in the story have a defining min where they discover faith and have a spiritual awakening, and so ultimately this striking leads to them submitting to the beliefs and values of their wives.\nIn the two short stories religious iconography is an overall dominating element. Parkers Back is satisfy with scriptural symbolism. In Parkers Back, the suntan head that appears towards the channel of the story holds a great deal of symbolism inwardly it. This tree can be perceived as the tree of life and too as a reference to the Biblical story of Moses and the burn mark Bush. Along with the burn mark tree, Parker loses his plaza and they are burned as well. This is a goodish image because Parker losing his shoes acts much like Moses who must remove his shoes ahead he can be in the presence of the burning bush. This Blessed House begins with glister discovering something in a loo above the stove. Twinkle had found a white porcelain picture of Christ scantil y lying in the cabinet (136). tomography is also is inscrutable in O.E. Parkers ... '